Vol. 75, no. 2, December 2018


The Grawemeyer Collection at the University of Louisville: The History of a "Living" Special Collection

Matthew Ertz
75, no. 2, (191-206) DOI: https://doi.org/10.1353/not.2018.0094

An Unlikely Champion: Rudolf Bing and the Demise of Jim Crow at the Metropolitan Opera

Maurice B. Wheeler
75, no. 2, (207-236) DOI: https://doi.org/10.1353/not.2018.0095

The Memorial Library Of Music At Stanford University

Mimi Tashiro
75, no. 2, (237-260) DOI: https://doi.org/10.1353/not.2018.0096

Prices of Music Monographs and Scores as Reflected In Notes, 2012–2017

Peter Munstedt
75, no. 2, (261-268) DOI: https://doi.org/10.1353/not.2018.0097


I Hear a Symphony: Motown and Crossover R&B by Andrew Flory (review)

Christopher M. Reali
75, no. 2, (272-275) DOI: https://doi.org/10.1353/not.2018.0099

Psychedelic Popular Music: A History through Musical Topic Theory by William Echard (review)

Don Traut
75, no. 2, (275-277) DOI: https://doi.org/10.1353/not.2018.0100

Beyond No Future: Cultures of German Punk ed. by Mirko M. Hall, Seth Howes, and Cyrus M. Shahan (review)

Marci Cohen
75, no. 2, (277-280) DOI: https://doi.org/10.1353/not.2018.0101

Composing for the State: Music in 20th-Century Dictatorships ed. by Esteban Buch, Esteban Buch, and Manuel Deniz Silva (review)

Ivan Moody
75, no. 2, (285-287) DOI: https://doi.org/10.1353/not.2018.0104

Vinyl Freak: Love Letters to a Dying Medium by John Corbett (review)

Darren Ingram
75, no. 2, (280-282) DOI: https://doi.org/10.1353/not.2018.0102

Musicians in Transit: Argentina and the Globalization of Popular Music by Matthew B. Karush (review)

Daniel Gough
75, no. 2, (282-284) DOI: https://doi.org/10.1353/not.2018.0103

English Pastoral Music: From Arcadia to Utopia, 1900–1955 by Eric Saylor (review)

Justin Vickers
75, no. 2, (287-290) DOI: https://doi.org/10.1353/not.2018.0105

A Dictionary for the Modern Pianist by Stephen Siek (review)

Lisa Woznicki
75, no. 2, (316-318) DOI: https://doi.org/10.1353/not.2018.0115

Choral Monuments: Studies of Eleven Choral Masterpieces by Dennis Shrock (review)

Brian Cockburn
75, no. 2, (318-320) DOI: https://doi.org/10.1353/not.2018.0116

Singing the Resurrection: Body, Community, and Belief in Reformation Europe by Erin Lambert (review)

Jennifer S. Thomas
75, no. 2, (290-293) DOI: https://doi.org/10.1353/not.2018.0106

Gaspar Cassadó: Cellist, Composer and Transcriber by Gabrielle Kaufman (review)

John Moran
75, no. 2, (293-296) DOI: https://doi.org/10.1353/not.2018.0107

Recollections from My Life: An Autobiography by Adolph Bernhard Marx trans. by Stephen Thomson Moore (review)

Floyd Grave
75, no. 2, (296-299) DOI: https://doi.org/10.1353/not.2018.0108

Music in Goethe's Faust: Goethe's Faust in Music ed. by Lorraine Byrne Bodley (review)

Sarah Elaine Neill
75, no. 2, (299-301) DOI: https://doi.org/10.1353/not.2018.0109

The Quest for the Gesamtkunstwerk and Richard Wagner by Hilda Meldrum Brown (review)

Anna Stoll Knecht
75, no. 2, (301-304) DOI: https://doi.org/10.1353/not.2018.0110

Postmodern Music, Postmodern Listening by Jonathan D. Kramer (review)

Twila Bakker
75, no. 2, (304-306) DOI: https://doi.org/10.1353/not.2018.0111

Negotiated Moments: Improvisation, Sound, and Subjectivity ed. by Gillian Siddall and Ellen Waterman (review)

Joel V. Hunt
75, no. 2, (306-310) DOI: https://doi.org/10.1353/not.2018.0112

Harmony in Beethoven by David Damschroder (review)

Paul M. Ellison
75, no. 2, (310-313) DOI: https://doi.org/10.1353/not.2018.0113

Hearing Harmony: Toward a Tonal Theory for the Rock Era by Christopher Doll (review)

Paul Christiansen
75, no. 2, (313-316) DOI: https://doi.org/10.1353/not.2018.0114

Open Music Library (review)

Bonna J. Boettcher
75, no. 2, (326-328) DOI: https://doi.org/10.1353/not.2018.0118

Isis: Tragédie en musique. Livret de Philippe Quinault. Édition de Lionel Sawkins by Jean-Baptiste Lully (review)

Rebekah Ahrendt
75, no. 2, (329-334) DOI: https://doi.org/10.1353/not.2018.0119

The Yeomen of the Guard. Full Score. by W. S. Gilbert and Arthur Sullivan, and: The Yeomen of the Guard. Vocal Score. by W. S. Gilbert and Arthur Sullivan, and: Iolanthe. Full Score. by W. S. Gilbert and Arthur Sullivan (review)

James Brooks Kuykendall
75, no. 2, (334-342) DOI: https://doi.org/10.1353/not.2018.0120

Lieder mit Klavierbegleitung by Richard Strauss, and: Macbeth by Richard Strauss (review)

Bryan Gilliam
75, no. 2, (342-349) DOI: https://doi.org/10.1353/not.2018.0121