Vol. 75, no. 2, December 2018
Articles
Matthew Ertz75, no. 2, (191-206) DOI: https://doi.org/10.1353/not.2018.0094
An Unlikely Champion: Rudolf Bing and the Demise of Jim Crow at the Metropolitan OperaMaurice B. Wheeler75, no. 2, (207-236) DOI: https://doi.org/10.1353/not.2018.0095
The Memorial Library Of Music At Stanford UniversityMimi Tashiro75, no. 2, (237-260) DOI: https://doi.org/10.1353/not.2018.0096
Prices of Music Monographs and Scores as Reflected In Notes, 2012–2017Peter Munstedt75, no. 2, (261-268) DOI: https://doi.org/10.1353/not.2018.0097
Reviews
Christopher M. Reali75, no. 2, (272-275) DOI: https://doi.org/10.1353/not.2018.0099
Psychedelic Popular Music: A History through Musical Topic Theory by William Echard (review)Don Traut75, no. 2, (275-277) DOI: https://doi.org/10.1353/not.2018.0100
Beyond No Future: Cultures of German Punk ed. by Mirko M. Hall, Seth Howes, and Cyrus M. Shahan (review)Marci Cohen75, no. 2, (277-280) DOI: https://doi.org/10.1353/not.2018.0101
Composing for the State: Music in 20th-Century Dictatorships ed. by Esteban Buch, Esteban Buch, and Manuel Deniz Silva (review)Ivan Moody75, no. 2, (285-287) DOI: https://doi.org/10.1353/not.2018.0104
Vinyl Freak: Love Letters to a Dying Medium by John Corbett (review)Darren Ingram75, no. 2, (280-282) DOI: https://doi.org/10.1353/not.2018.0102
Musicians in Transit: Argentina and the Globalization of Popular Music by Matthew B. Karush (review)Daniel Gough75, no. 2, (282-284) DOI: https://doi.org/10.1353/not.2018.0103
English Pastoral Music: From Arcadia to Utopia, 1900–1955 by Eric Saylor (review)Justin Vickers75, no. 2, (287-290) DOI: https://doi.org/10.1353/not.2018.0105
A Dictionary for the Modern Pianist by Stephen Siek (review)Lisa Woznicki75, no. 2, (316-318) DOI: https://doi.org/10.1353/not.2018.0115
Choral Monuments: Studies of Eleven Choral Masterpieces by Dennis Shrock (review)Brian Cockburn75, no. 2, (318-320) DOI: https://doi.org/10.1353/not.2018.0116
Singing the Resurrection: Body, Community, and Belief in Reformation Europe by Erin Lambert (review)Jennifer S. Thomas75, no. 2, (290-293) DOI: https://doi.org/10.1353/not.2018.0106
Gaspar Cassadó: Cellist, Composer and Transcriber by Gabrielle Kaufman (review)John Moran75, no. 2, (293-296) DOI: https://doi.org/10.1353/not.2018.0107
Recollections from My Life: An Autobiography by Adolph Bernhard Marx trans. by Stephen Thomson Moore (review)Floyd Grave75, no. 2, (296-299) DOI: https://doi.org/10.1353/not.2018.0108
Music in Goethe's Faust: Goethe's Faust in Music ed. by Lorraine Byrne Bodley (review)Sarah Elaine Neill75, no. 2, (299-301) DOI: https://doi.org/10.1353/not.2018.0109
The Quest for the Gesamtkunstwerk and Richard Wagner by Hilda Meldrum Brown (review)Anna Stoll Knecht75, no. 2, (301-304) DOI: https://doi.org/10.1353/not.2018.0110
Postmodern Music, Postmodern Listening by Jonathan D. Kramer (review)Twila Bakker75, no. 2, (304-306) DOI: https://doi.org/10.1353/not.2018.0111
Negotiated Moments: Improvisation, Sound, and Subjectivity ed. by Gillian Siddall and Ellen Waterman (review)Joel V. Hunt75, no. 2, (306-310) DOI: https://doi.org/10.1353/not.2018.0112
Harmony in Beethoven by David Damschroder (review)Paul M. Ellison75, no. 2, (310-313) DOI: https://doi.org/10.1353/not.2018.0113
Hearing Harmony: Toward a Tonal Theory for the Rock Era by Christopher Doll (review)Paul Christiansen75, no. 2, (313-316) DOI: https://doi.org/10.1353/not.2018.0114
Open Music Library (review)Bonna J. Boettcher75, no. 2, (326-328) DOI: https://doi.org/10.1353/not.2018.0118
Isis: Tragédie en musique. Livret de Philippe Quinault. Édition de Lionel Sawkins by Jean-Baptiste Lully (review)Rebekah Ahrendt75, no. 2, (329-334) DOI: https://doi.org/10.1353/not.2018.0119
The Yeomen of the Guard. Full Score. by W. S. Gilbert and Arthur Sullivan, and: The Yeomen of the Guard. Vocal Score. by W. S. Gilbert and Arthur Sullivan, and: Iolanthe. Full Score. by W. S. Gilbert and Arthur Sullivan (review)James Brooks Kuykendall75, no. 2, (334-342) DOI: https://doi.org/10.1353/not.2018.0120
Lieder mit Klavierbegleitung by Richard Strauss, and: Macbeth by Richard Strauss (review)Bryan Gilliam75, no. 2, (342-349) DOI: https://doi.org/10.1353/not.2018.0121